Editing Openai/691bd7e6-2c00-8006-a0ff-8447f126175d (section)

===== This one is a little more complex: =====
* Again, both coils of the bridge are active (full bridge humbucker).
* Also, both coils of the neck humbucker are used — but how they’re used is important: the neck’s outer coil is first combined in parallel (with the bridge or as part of the routing), and then that signal is put in series with the neck’s inner coil. - “In series” means the electrical signal from one coil goes into the next coil, rather than both just feeding the output independently. Series wiring tends to give more output (louder), more midrange, and a “fatter” tone. Fralin Pickups<ref>{{cite web|title=Fralin Pickups|url=https://www.fralinpickups.com/2017/05/18/series-parallel-wiring-humbucker/|publisher=Fralin Pickups|date=2017-05-18|access-date=2026-01-16}}</ref> - Parallel wiring (for coils) usually gives a cleaner, brighter sound with less output than series. Fralin Pickups<ref>{{cite web|title=Fralin Pickups|url=https://www.fralinpickups.com/2017/05/18/series-parallel-wiring-humbucker/|publisher=Fralin Pickups|date=2017-05-18|access-date=2026-01-16}}</ref> - So you're getting a mixed topology: part parallel, then series.

Effect / Tone:
* This will likely be one of the fullest and loudest switch positions, because you’re using all coils (bridge humbucker + both coils of neck), and some of them are wired in series.
* The signal from the neck is going through both its coils, so you’re not just getting a “thin” split coil — you're getting more of the neck's full humbucker character, but colored by how it's phased/combined with the bridge’s output.
* Tonally, this could be more rounded, with good low-mid content, and more “weight” than position 2, since both neck coils are contributing in series.