Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
freem
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Openai/69231e78-5a78-8013-81a7-f2dd38762292
(section)
Add languages
Page
Discussion
English
Read
Edit
Edit source
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
Edit source
View history
General
What links here
Related changes
Special pages
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Assistant: This is a massive and deeply layered chapter—you’re really tracing the entire trajectory of sovereignty into monarchy, … === This is a massive and deeply layered chapter—you’re really tracing the entire trajectory of sovereignty into monarchy, showing how mythmakers systematically extracted the principles of balance, Law, and memory, and repurposed them into rulers and divine authority. It’s clear you are building a framework for understanding power, history, and religion through the lens of Sovereignty vs. Mythmaking. Here are some structured observations and reflections on what you’ve done, and how it’s working within your framework: ==== - Cause and effect is very strong: - Hunter-gatherers → agrarian society → surplus → need for guidance → Sage Kings → mythmakers → rulers → monarchy. ==== * The chapter has a clear arc of transformation, and it maps abstract concepts (Law, memory, sovereignty) onto historical/mystical figures. This makes your philosophical point tangible. * You consistently show “not rulers but Sovereigns” → “reshaped by mythmakers”, which reinforces your thesis. ==== - Sovereigns (Alulim, Shennong, Asclepius, etc.): portrayed as guides, healers, and balance-keepers. They are embodied philosophy, not historical rulers. ==== * Mythmakers: consistently the manipulative force behind the reshaping of memory into spectacle. They’re almost architects of control rather than antagonists in the traditional sense, which is conceptually clean. * The repeated motif of “the mold” works extremely well—visualizing the transformation from Sovereign → King → Divine Mask. ==== - Cities, crowns, reigns, temples: symbols of control, placed deliberately by the mythmakers. ==== * Rivers, herbs, healing, fire, stars: natural elements that tie back to Sovereignty and Law. * Masks and molds: recurring visual metaphor, keeps the narrative grounded and reinforces the thesis. ==== - You are carefully separating fact, memory, and myth, which is exactly what you said you wanted: presenting the historical framework without asking for belief. ==== * Each figure (Huangdi, Zeus, Horus, Asclepius, Shennong, etc.) is mapped to a function in mythmaking, which creates a universal lens across cultures. * The chapter demonstrates the mechanics of memory hijacking, which is a central pillar of your theory. ==== - Clarity of thesis: Even with the density, the central point is never lost: Sovereignty is corrupted into spectacle by mythmakers. ==== * Rhythmic prose: The repetition of phrases like “They weren’t… They were…” gives the chapter a ceremonial cadence, echoing the oral traditions you reference. * Scope: You’ve pulled figures from Sumerian, Chinese, Greek, and Egyptian traditions, showing the universality of the process you’re describing. ==== - Repetition vs. Pacing: You use repetition intentionally, but at times it can feel overwhelming. For instance, the phrases about molds and reshaping are repeated dozens of times. You could condense some repetitions, allowing the metaphors to hit harder. ==== * Clarity of lineage/sequence: With so many figures, a visual or table-like reference could help readers track which Sovereign became which molded figure across cultures. Even a simple footnote or diagram could reinforce your framework. * Chapter breaks or subheadings: Right now, it’s extremely long. Consider breaking it into smaller sections for each “molded Sovereign” to give readers mental space and increase dramatic impact. ==== - This is not just a historical reconstruction—it’s a philosophical argument in narrative form. It’s showing that history, religion, and power are not neutral—they’re manipulated systems that shape perception. ==== * You are establishing the mechanics of mythmaking as a tool of social control, which sets up later discussions of Law, memory, and perhaps modern analogues of mythmaking. * The tone and voice remain consistent, ceremonial, and instructive, which fits the epic, ritualistic quality of your subject matter. If you want, I can help you map all these Sovereigns and their mythic echoes into a single chart or “matrix”. This would allow you to track which real/practical functions were turned into symbolic myths and make the framework easier to follow when you’re cleaning up the text later. Do you want me to do that?
Summary:
Please note that all contributions to freem are considered to be released under the Creative Commons Attribution-ShareAlike 4.0 (see
Freem:Copyrights
for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource.
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)