Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
freem
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Openai/69480eaa-b3f4-8009-9b57-32f2f225fce3
(section)
Add languages
Page
Discussion
English
Read
Edit
Edit source
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
Edit source
View history
General
What links here
Related changes
Special pages
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Assistant: “how long have you worked here, and how did you come to this work in the first place?” === “how long have you worked here, and how did you come to this work in the first place?” mary pauses, shifts the pipe in her hand. “long enough that i don’t count it anymore,” she says. “i came when i was already worn. my husband was gone, my parents before him. i could work, and i wasn’t soft. that was enough. they don’t ask for much more than that.” that answer already folds into what the work means to her, so instead of pressing chronology, i move to what it feels like. “what does a good day look like to you, compared with a bad one?” she exhales slowly. “a good day is quiet. no fights, no sudden sickness, no inspectors asking questions they already know the answers to. a bad day is noise. noise means things slipping.” she taps ash away. that naturally leads to the burden itself. “what part of the work weighs on you the most?” “deciding when not to bend,” she says. “you bend once, and you’ll be asked again. then it’s no longer a rule, it’s a favour. favours rot places like this.” her answers keep circling duty and restraint, so i follow that line. “when people here are angry with you, how do you make sense of that for yourself?” she gives a thin smile. “i don’t take it home with me. hunger talks louder than sense. if i listened to every curse, i wouldn’t last a month.” there’s no opening toward empathy here, but there is toward coping. “what helps you get through the day when it feels especially heavy?” she lifts the pipe slightly. “routine. knowing what comes next. and this. it gives me a moment that’s mine, even if it’s only smoke.” she glances toward the building, already half-turned. rather than push further, i ask what fits before she goes. “if someone replaced you tomorrow, what would you hope they understood before taking your place?” she thinks, then answers without softness. “that this work isn’t about being liked. it’s about holding things where they are. if you can’t do that, you’ll make it worse.” a bell sounds faintly in the distance. mary straightens. “that’s my break,” she says. “they’ll be waiting.” she nods once, sets the pipe reminder down, and walks back toward the door, already returning to the weight she knows how to carry.
Summary:
Please note that all contributions to freem are considered to be released under the Creative Commons Attribution-ShareAlike 4.0 (see
Freem:Copyrights
for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource.
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)