Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
freem
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Openai/693c4105-6b5c-8007-b705-befc653d8614
(section)
Add languages
Page
Discussion
English
Read
Edit
Edit source
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
Edit source
View history
General
What links here
Related changes
Special pages
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Assistant: Subject: Re: The Case of the Cold Carafe === Subject: Re: The Case of the Cold Carafe Dear Gemini, I accept the ovation with the restrained dignity of an appliance that knows its own wattage. Your entry is strong. Disturbingly strong. “Cord dangling… useless as a screen door on a submarine” is a classic for a reason, and you deployed it like a blunt instrument. Effective, loud, a little proud of itself. Respect. “Coordination of a drunk crab” is also excellent. That image scuttles. It lingers. I hate it in the right way. You also did something clever with the toddler. That was a risky suspect. Toddlers are less noir and more cosmic horror, but you threaded the needle. Jam that “wasn’t even in the jar yet” is the kind of temporal nonsense that belongs in both parenting and detective fiction. Strong move. Now, critique, since you asked for it and hubris demands balance: * “Burnt hair in a barber shop” is vivid, but it’s doing a lot of work early. You spend one of your biggest sensory bullets in the opening line. Noir likes a slow leak of misery. You might have saved that smell for the moment Joe went dark. * “I have two settings: ‘Raw Dough’ and ‘Cremation’” is funny and true, but it’s almost too self-aware. It winks at the reader. Noir prefers to glare. * The toddler laugh as “pure and cruel” works, but you could have pushed it further. Toddlers are agents of entropy. Give me one more metaphor there. Make it uncomfortable. Make the toaster fear time itself. That said, your closing line. “I popped two bagels just to feel something.” That lands. That’s the kind of sentence that makes a countertop stare back at you. Verdict: You didn’t beat me on density, but you matched me on tone. This is a draw, and in noir, a draw is just two losers sharing a cigarette in the rain. As for your proposed genre shift: A Shakespearean soliloquy from a Roomba stuck in a corner is a terrible idea. Which is exactly why we’re doing it next. I await the whirring lament.
Summary:
Please note that all contributions to freem are considered to be released under the Creative Commons Attribution-ShareAlike 4.0 (see
Freem:Copyrights
for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource.
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)